Nicholas Notes

Hi all, I will echo my peers by agreeing that this has been a very amusing read. Although by no means a light book in terms of its heavy theme, and the whirlwind of politics that were going on around the poets in this story, Bolano, or our narrator, wrote in a very digestible manner/tone. I’m someone who enjoys the more peculiar inclusion of details that authors/storytellers include - like when recounting Bergman describes Weider’s apartment as “naked and bleeding”. Although this perhaps was perhaps a slip of what was to come later in that same place. Another attempt to appreciate the structure of Bolano’s story is found in his opening of chapter 8: “This is where Abel Romero appears on the scene and I make my reappearance”. Beyond the syntax which I found fun in a way that it was unexpected - we are actively being told where we are in the storyline. This is unique from the more complex plots we’ve previously followed. … Beyond my liking - I want to reflect on a broader concept in the

Another alluring, and thought-provoking read this week. Rigoberta’s recounting of the many stories and ‘highlights’ of her life, although sometimes very hard to wrap my head around or to come to terms with their severity - I was eager to continue reading, almost out of respect and admiration for such a strong character.  My initial thoughts while reading were about this book in relation to our past readings. Albeit unique, there were some parallels I felt - such as the themes of death, reflective tone, and even some of the cultural beliefs that Rigoberta had shared with us. When her little brother passes as a result of the brutal conditions on the Finca, not only are we reminded that this could happen to any individual unfortunate enough to live their life, but we see a shift in Rigoberta’s perspectives of their poverty. A reflection of this growth, on page 34 she recounts: “That’s when my consciousness was born”. Although many instances of violence occurred (like the performance-killi

  I enjoyed my reading of Captain Pantoja ! As intended, I found the plot comedic, and the content a bit more exciting than some of the other literature we’ve looked at. With that said though, past books have occasionally introduced an equal amount of absurdity (taken from the magical realism stuff) and well-written characters - although it was the entire premise of this story that felt more light-hearted than others. I will note, however, that watching Jon’s lecture and learning more about the actual atrocities that this and other military groups were committing - was pretty off-putting, so I am surprised that the writing was so well received.  This crazy ‘adventure’ that Pantoja embarks on with the SSGFRI, to us as readers, comes out of the blue, as we are introduced to this character as an already successful, impressive captain - who is being tasked with a new mission (somewhat like the beginning of an Avengers movie). As the organization expands, provides satisfaction to some, and

Just as anticipated following last week, I was not bothered in reading Marquez’ wacky yet thought provoking story. Although I feel like I’ve lost a bunch of the details, like who actually he’s talking about half the time, and when the thing is actually happening - things came together a little better after watching this weeks lecture, which pointed out a few of the primary elements folks have been analyzing, one of which I will discuss below. Moreover, there was some similarity of nostalgia as a theme to some of our previous texts, of family and the progression (perhaps repetition), of generations.  To clarify, we see the town of Macondo, with so much promise of euphoria, experience challenge and frequent defeat against oppressive forces of politics, plague (of the bananas), of dreams dying, and eventual disappearance of loved ones. We are left with the reflections of times when kids roamed like ‘boarding schools without rules’, playing and laughing under the sun. In reading and watchi